If We All Stay Silent: a short film

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If We All Stay Silent: a short film

This is a film I created as part of my MFA in Creative Nonfiction at the Vermont College of Fine Arts. During the Fall semester in 2022 I took a film concentration and worked under the brilliant filmmaker Nina Davenport. As part of that concentration, I made the film you’re about to see.

My original plan was to hire a cinematographer, since as Story Producer for 15+ films for the I Am A Creator docuseries, I've always worked with the brilliant and skilled cinematographer Henry Thong. Typically my role in the filmmaking process is to find the subject, research and craft interview questions, ask interview questions behind the camera, build the foundational pre-production b-roll plan, and then do the first skeleton edit of the raw interview footage.

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Viral Hope

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Viral Hope


How digital painter Nikkolas Smith turns grief into art and activism.

I’ll never forget driving by the teddy bear.

It was two miles from where I lived. Where Trayvon Martin was last alive, walking with Skittles from the Sanford, FL 7-11 I got that bottle of water from that one time.

There were piles of flowers and cards, near the grass his shoes last touched, still growing.

There were piles of stuffed animals too. Reminders that this was just a kid.

A kid.

He should have been in school today. He should have been unfurling a day-old Skittles bag to finish whatever colors were left.

I kept driving, but I did not know where to go from here.

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Making a Living as an Artist

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Making a Living as an Artist


Disney artist Antonio Pelayo on the importance of practice and how to make a living as an artist.

It was one of those Instagram posts that make you scroll back up and stare.

It was more real than real.

And it wasn't done with a camera.

But with a pencil.

A pencil?!

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When No One Will Hire You

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When No One Will Hire You


Oscar-winning makeup artist Dave Elsey on what to do when no one will hire you for your dream job.

I wish you could hear Dave Elsey’s voice. It’s all kindness and wonder, wrapped up in an accent that makes me long for the two weeks I spent across England in my third year of college, climbing up moors with sheep everywhere, eating jacket potatoes in places called the “Red Lion,” and trying chana masala for the first time in London.

Also there was the Monet room, which I stumbled upon while lost, roaming the giant halls of the National Gallery in London, the art museum guarded by giant bronze Lions in Trafalgar Square. I stood in the exact center of the Monet room, equidistant from each painting, and slowly walked closer until my breath touched the paint.

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